Black love poetry includes many famous African-American poets
Here are 4 examples of famous black love poetry from notable African-American female writers:
Fayola Kamaria Ama is a poet and writer. she lives in Philadelphia. For Mamie is her contribution to black love poetry:
FAYOLA KAMARIA AMA
for "Mamie" (poem for my grandmother)
awaken a flower/
petal
torn from the bulb
on lands lifted
by bitter sweat
of brown/gray hands
pickin n pickin
up
cotton white clouds blue with misery
southern sweet chocolate girls fine
warm
melting when
sun shines
tender as
rain dripping down
called her "a looker" big boned light brown
black indian hair
married young to
a man named allen
bore for him
six strong blk seeds
she worked to give
she worked to give
could of/should of
been home
but workin
while neighbors watched
her children over fences
her seeds
seein nights run into years
seein days shut half winkin
spinning years
fiIIin her blood
with sugar
sweet/unsweet blood
crawled in
like a spider's web
suckin up her body's
strength
takin the life out her foot
draggin like
a broom across the floor
wake flower
golden loooove
let yr spirit bloom
full complete
another harvest
done come
giving all it could
the soil lays, again,
ready to be tended. . .
Brenda Connor-Bey is a New York writer. Here is her black love poetry:
The Dancer
(from Thoughts of an Everyday Woman)
I.
He wanted her to be with him
didn't want to share her with the public
craving/desiring her voice/her poetic magic
pulling them into her circle
when she danced on stage
He wanted to put her in a box
inside his pocket/to pull her out when he
wanted to see her/listen to her voice
watch the mystical footwork
she brought from her ancestors
It was hard for him to understand
her reluctance to come to him
like he wanted her
in a white dress
with bowed head and
white flowers in her hand
she begged him to understand that
dance was more than movements
on the ground/in the air
it was her life force
something she felt she had to do
2.
A peculiar woman he used to think
the rare kind of flower one could
find hidden in the bush of their small island
she could tell when the stars were about to
pierce the blackened sky above them
when rains were about to be unleased
from overfilled clouds
she knew the cycles of the moon
the rhythms of waves and she
knew how much gregor loved her
but she'd never surrender herself to him
she knew that too
Gregor was a strange man
she'd think while practicing in front of the
wall sized mirror in the room in the
back of her home
that was the only word she could find
to describe the powerfully built black man
she could only love him if
he'd let go of the dream
binding her to him
with rope instead of trust/understanding
Because she had to dance
she had to dance
she had to
she had
she
Sandra Rogers another black love poetry writer from New York is a relatively younger poet than many that have gone before:
Waiting For Her Man Too Long
She can't wait for you to knock
so she can ignore you.
She can't wait for you to knock
so she can ignore you and
make you feel the way she feels
now.
She can't wait for you to knock
so that in your hoping to get in
and feel the warmth of her body
all you'll feel is disappointment.
She can't wait for you to knock
so that her silence will tell you
she's not home
because you should have been here
a long time ago.
She can't wait for you to knock
so that her silence will tell you
she's not home even though
she sits here hurting.
She can't wait for you to knock
because in her hurting she will
hurt less because you
hurt too.
She cannot be that selfish in
that she can hurt
by herself.
She cannot be so selfish in
that she will not
share her hurt.
she will not be selfish
she will share and make
you hurt too.
Nzadi Zimele-Keita (Michelle McMichael) is from Philadelphia and was a student of Sonia Sanchez. Long Road Rhythm is the black love poetry selected from her published poetry:
long road rhythm
she gives herself to a burning man,
watered and fed
by the passing of days,
syllables and shadows. a
man who folds her name in
blooming oriental shapes
and knows that
in her face the plains are wide
gold.
yes.
between his brows she can believe
(they are running) she can see
soft feet press resilient green
coming to her (coming to her)
their shadow/names
(coming to her)
in his face, a woman
who will begin them brown
in his face she
can stop running.
(be held, rocked, be known)
can hear the fountains
blooming
in his words
African 1
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